![]() ![]() I'd call it more of a tool, than a skill. Anyone can do it, and do it well with just a little practice. I couldn't make a reliable estimate for how many people do tilt-shift photos. How many tilt-shift photographers are there in Seattle? The country? Figure out what part you want to remain in sharp focus, then blend the levels together as seamlessly as you can, with the focus decreacing away from the one sharp area. Starting with a photo in sharp focus, you create more levels of the same image, but blurred in different stages. ![]() All the photos I've done have been done in post-production with the GIMP, an open-source alternative to Photoshop. You can do it in-camera with special lenses (all with varying levels of affordability, but Lensbaby makes a variety of affordable options to give it a try), or in post-production. There are two ways of achieving the look. The result is similar to what a photo of a scale model would look like. Another way of saying it is forced focus - taking a scene and forcing only one part of it to be in focus. By changing the placement of the camera lens, it can change the area of focus and allows for sharp focus on a small area of the frame. Official tilt-shift photography is the use of special camera lenses that tilt angles and shift up and down from the frame of film being exposed. We swapped emails with Erynn Rose, a Seattle photographer embracing this trend to find out more about this interesting photo genre. Before starting the video below, you can follow along by downloading the sample image he uses by clicking here.This month we highlight the creativity and, um, small mindedness of tilt-shift photographers who make real-life landscapes look like scale models. Tilt-shift lenses are often expensive and are specialized lenses, so is it possible to recreate this type of effect using only Photoshop? As Aaron Nace of Phlearn shows in his latest video, yes, it is. This results in the "miniature" effect I mentioned earlier. Alternatively, instead of capturing more of a scene in focus, you can also tilt the lens to make the focal plane very narrow, even when shooting at wide angles. This allows you to keep different areas (think foreground versus background) of an image in focus. However, with a tilt-shift lens, you can angle the focal plane. A traditional lens' focal plane is always parallel to the image sensor. ![]() The other aspect of a tilt-shift lens, the tilting, allows you to change the focal plane of the lens. This is the "shift" part of a tilt-shift lens. A tilt-shift lens allows you to point your camera straight on and keep your sensor parallel with the face of the camera while shifting the lens rather than pointing the camera upward. If you tilt your camera upward with a traditional lens, the lines of the building will angle in toward the center of the frame rather than be straight. When shooting a building, for example, it's almost always the case that you are looking up at a building. Tilt-shift lenses are specialized photographic tools, often used by architecture photographers to ensure that the lines in their images are straight. With a tilt-shift lens, you can use the lens' unique design to do all sorts of interesting things, including creating a miniature, toy-like image.
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